- Dutch police use hologram to try and decode sex worker's murder
- Israel bombs south Beirut after Hezbollah targets Haifa area
- Biden in historic Amazon trip as Trump return sparks climate fears
- India hails 'historic' hypersonic missile test flight
- Israel orders Beirut residents to flee after Hezbollah targets Haifa area
- Davis, LeBron power Lakers over Pelicans as Celtics win in OT
- Trump and allies return to New York for UFC fights
- Hong Kong political freedoms in spotlight during bumper trial week
- Debt-saddled Laos struggles to tame rampant inflation
- Senna, Schumacher... Beganovic? Macau GP showcases future F1 stars
- India's vinyl revival finds its groove
- G20 tests Brazil's clout in Lula 3.0 era
- Over 20,000 displaced by gang violence in Haiti: UN agency
- Famed gymastics coach Bela Karolyi dies
- 'Break taboos': Josep Borrell wraps up time as EU's top diplomat
- Climate finance can be hard sell, says aide to banks and PMs
- Trump revives 'peace through strength,' but meaning up to debate
- New York auction records expected for a Magritte... and a banana
- Egypt's middle class cuts costs as IMF-backed reforms take hold
- Beirut businesses struggle to stay afloat under Israeli raids
- Dupont lauds France 'pragmatism' in tight New Zealand win
- Swiatek leads Poland into maiden BJK Cup semi-final
- Trump taps fracking magnate and climate skeptic as energy chief
- West Indies restore pride with high-scoring win over England
- Hull clings to one-shot lead over Korda, Zhang at LPGA Annika
- Xi tells Biden ready for 'smooth transition' to Trump
- Trump nominates fracking magnate and climate skeptic as energy secretary
- Tyson says 'no regrets' over loss for fighting 'one last time'
- Springboks' Erasmus hails 'special' Kolbe after England try double
- France edge out New Zealand in Test thriller
- Xi tells Biden will seek 'smooth transition' in US-China ties
- Netherlands into Nations League quarter-finals as Germany hit seven
- Venezuela to free 225 detained in post-election unrest: source
- Late Guirassy goal boosts Guinea in AFCON qualifying
- Biden arrives for final talks with Xi as Trump return looms
- Dominant Sinner cruises into ATP Finals title decider with Fritz
- Dinosaur skeleton fetches 6 million euros in Paris sale
- Netherlands-Hungary Nations League match interrupted by medical emergency
- Kolbe double as South Africa condemn England to fifth successive defeat
- Kolbe at the double as South Africa condemn England to fresh defeat
- Kolbe at the double as South Africa beat England 29-20
- 'If I don't feel ready, I won't play singles,' says Nadal ahead of Davis Cup farewell
- Fifth of dengue cases due to climate change: researchers
- Trump's Republican allies tread lightly on Paris pact at COP29
- Graham equals record as nine-try Scotland see off tenacious Portugal
- Protesters hold pro-Palestinian march in Rio ahead of G20
- Graham equals record as nine-try Scotland see off dogged Portugal
- China's Xi urges APEC unity in face of 'protectionism'
- Japan's Kagiyama, Yoshida sweep gold in Finland GP
- Macron to press Milei on climate action, multilateralism in Argentina talks
Reality has no allure for Mexico's Oscar-winning director at Venice
It is one of the most unforgettable opening scenes to play at the Venice Film Festival: a baby pushed back into its mother because, he informs the doctor, who would want to live in this screwed-up world?
That was the fantastical and audacious opening that marked Alejandro Gonzalez Inarritu's return to the big screen on Thursday, after a seven-year hiatus following back-to-back Oscars.
"BARDO, False Chronicle of a Handful of Truths" is a deeply personal film that brings the director back to his home country of Mexico following two Best Director Academy Awards in 2015 and 2016 for "Birdman" and "The Revenant".
The film "wasn't developed by my mind, but by my heart", he told journalists, calling the nearly three-hour Netflix film an "emotional reinterpretation of a memory".
The film centres on journalist played by Daniel Gimenez Cacho about to accept a major prize in America -- success that sparks an existential, mid-life crisis and increasingly fuzzy lines between reality and memory.
"Every time, I'm less interested in reality in film," Inarritu said, calling it "limbo".
Featuring sweeping dreamscapes involving the parched Mexican desert, a post-apocalyptic Mexico City and the ruins of an Aztec citadel, the film is anchored by real-world relationships, between fathers and sons, husbands and wives, or even people and their homelands.
- Cortez and criminals -
We see Mexico's pained history in dreams -- scores of natives massacred by Cortes' 16th century invaders, or Mexican patriots desperately fending off US troops in the Mexican-American war -- as well as today's reality in the form of migrants making perilous attempts to cross the US border.
In one scene, heaps of plantains pile up in a deserted Mexico City street, as "desaparecedos" -- the tens of thousands of disappeared Mexicans abducted by criminal gangs or the state -- fall from the sky.
Racial and social inequalities within Mexican society are touched upon, but with a lighter touch than seen in "New Order" by Michel Franco, a violent, searing indictment of the gap between Mexico's rich and poor that won Venice's Grand Jury prize in 2020.
"Mexico is not a country, it's a mental state for me," said Inarritu, who said he wanted to examine the "longing" for one's country after having himself left Mexico for Los Angeles over two decades ago.
"But when you get far away from that place and when time goes by, this state of mind dissolves and changes."
P.A.Mendoza--AT